Saturday, 24 December 2016

Christmas Retro Review: Die Hard (1988)

Die Hard
1988
Cast: Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald Valjohnston
Genre: Action
Worldwide Box Office Gross: over $140 million 

Plot: A NYPD officer tries to save his wife and several others taken hostage by German terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles 





'Bruce On The Loose'

After 'moonlighting' with Cybil Shepherd for 4 seasons on the dramedy series, by the late 1980s, Bruce Willis turned his attentions to becoming a Hollywood movie actor. His first real effort was Die Hard, and boy what a way to make an entrance as a fully-fledged action star. It was initially pitched to Arnold Schwarzenegger as a direct sequel to 1985's Commando, but he turned it down, only for Bruce Willis to accept the role of John McClane and the rest, as we say, is history. 

Willis's arrival came during towards the end of the 1980s, where after several and successful attempts were made by Arnold Schwarzenegger and Sylvester Stallone on the movie front that the action genre started to wane and thus, it needed some re-invigoration, some new blood. Cue Bruce Willis, who was already well known to audiences in the U.S for TV smash hit, Moonlighting and with that, what we got is (unlike Arnie, Sly, Van Damme and a couple of other muscle-bound stars), an ordinary man who didn't have the huge muscles and biceps but who could still take charge. Though he bled, felt pain, had a vulnerability to him and had to experience getting hurt in order to dish out the punishment to them, he still never gave up until he succeeded. And thanks to the more than competent and at times wisecracking script, John did that. He even fought barefoot most of the time, which isn't always easy, especially when he has to contend with broken glass on the floor; and so one nasty graze would be painful, to say the least. He jumps off the roof, smashes through glass and picks broken glass off his feet, his antics would make Jackie Chan proud. 

And for all of the jokes about his dirty vest, that vest is what makes John McClane his own type of action hero with a distinguishable trademark: with the Terminator it is the sunglasses and leather jacket and Rambo it's the headband and longish curly hair. 

As a one-man army, though he goes about it in the same way as Arnie, Stallone in a gung-ho fashion, he has to also work twice as hard to defeat them, given that Willis isn't as strong and powerful by relying on his wits, as much as everything else he is good at. 

The plot may have been rehashed several times over with the terrorists taking over a ship or whatever and holding people captive and yet there is one guy who outsmarts them all and beats them at his own game (i.e. Under Siege). And yet not many action and action-adventure/thriller type films have managed to make it work as and so effectively as Director John McTiernan has done, with the screenplay by Steven E. De Souza and produced by Joel Silver; with both De Souza and Silver having worked wonders in previous outings. The former with 48 Hrs, The Running Man, Commando and the latter with Lethal Weapon, The Matrix, Predator and Romeo Must Die to name but many. 

Off-duty cop John McClane is off to Los Angeles to see his estranged wife and to enjoy his Christmas vacation, when he ends up in a life or death race- against- time situation to save hostages - one of them being his wife, who is held captive in a high- storey building on Christmas Eve - and to successfully dispatch the bad guys, one-by-one. 

The film's massive success spawned 4 more films in the Die Hard franchise, as well as several video games, including a game titled Die Hard Arcade for the Sega Saturn and whereby the character of Bruno Dellinger was modelled on Bruce Willis's physical likeness for the 2012 Nintendo 3DS game, Project X Zone


Alan Rickman as villain Gruber has more personality than any of the other antagonists in the Die Hard series that as the first and foremost bad guy, he was for me the most believable. It is so seamless: sly, charming -yet conniving and still he possessed the threat and menace needed for this film. Yeah, sure Die Hard 2 was, well for me, really upped the action and tension, but the main villain of the piece had a persona, that as twisting as it was, he's not as interesting as Gruber. The key to any great film of any genre involving good versus evil is that not only do you have a great leading hero but also a very convincing and charismatic villain who oozes personality to make his villain act, all the more believable and formidable, as heinous as it is and that the audience buys into it completely. He also airs a conscientiousness about him, especially during the scene where John's wife tells him about a pregnant woman who needs help, and so it seems he does have that other side of him where he is not an outright, complete and utterly loathe-able person. & Rickman's portrayal has a naturalness that evokes that menace, without coming off as being hammy. I don't think the movie would have been as effective, had the villain been much like and looked a lot like Commando's Bennett with a chain-mailed shirt & look of Freddie Mercury. Had that been the case, Gruber would have been a distraction & be dismissed as a mere joke, rather than be taken seriously. As he is here via Alan Rickman. 

The best performances come from Rickman and Willis, who by and large carry this film and their contrasting personalities make a tremendous amount of difference and give it a major boost. Whilst Reginald Valjohnson makes for a likeable and well-mannered cop, Al and the sole, nosey roving news reporter, is just an annoying jerk. William Atherton reprises his role as the jerkass, 4 years on from Ghostbusters but this time as a reporter. When Holly punched him in the face, I was like 'go girl!'.  

Another aspect of this film that is worth relishing is the action scenes: they are of high quality, well-orchestrated. And thankfully no CGI involved either, although this film didn't need it. The suspense is great and the stunts are one of a kind. Some of the best examples include John McClane swinging and smashing through a window whilst suspended by a fire hose and of John throwing himself off a 35th-floor building that is about to explode. 

Die Hard pretty much set a benchmark for all other action films to transpire and live up to - and most of them, post - 2000 wise especially, have been rather disappointing, to say the least. Some films are even variations on the theme; hence 1994's Speed was dubbed ''Die Hard on a bus''. Die Hard meanwhile, has so many strong points that still hold up almost 30 years on. 




Final Verdict:


Bruce Willis's major career breakthrough, and what a breakthrough it was. On repeated and countless viewings, Die Hard never gets old, never tires or wanes and never loses its unique edge that makes it a great change to Arnie and Sly Stallone's usual offerings. 


It's not just an '80s movie classic but it makes for one hell of a Christmas classic also. Willis's transition from rom-com sitcom star through Moonlighting to high-octane action fare, such as this is rather remarkable that is also ably supported by impressive and believable performances by the supporting cast members. 

This is an essential must-have film for all action fans. 

Often imitated - yet rarely surpassed; bold, brash and but also not lacking in standout moments, Die Hard is an action film with a Christmas-ish twist that is arguably the best of its own kind. 


Overall:


Friday, 23 December 2016

Retro Review: Best Of The Best (1989)

Best of the Best
1989
Cast: Eric Roberts, Phillip Rhee, James Earl Jones, Chris Penn
Genre: American Martial Arts
U.S Box Office Gross: over $1 million

Plot: Five American martial artists prepare to battle the South Korean champions in the 1988 Summer Olympics in Seoul






'Best of the Best Is Also The Best Of The Rest Of This Series' 

Best of the Best, though whilst it may not rank alongside Police Story, Drunken Master and Enter The Dragon, still stands up as a legitimate martial arts action film in its own right. I enjoy my martial arts films but in Best of the Best, it's not so much I let this one slip me by, rather it is one that I didn't want to see. For years, I was put off from seeing this film, all because I couldn't envisage Eric Roberts in his role as Alex and in being able to pass himself off as an action movie star. Yet after a recent viewing, I was happy to have been proven wrong - thanks to the admirable script, Roberts does a really great job. I'm also surprised that he didn't completely go down the action movie route after this film, although his filmography is pretty diverse, roles-wise by playing antagonists, as well as protagonists. 

Likewise, hand on heart I'd say this film deserves a place alongside Kickboxer, The Karate Kid and Bloodsport as legitimate competition-based martial arts flicks. 

The casting is good and they got it spot-on. It is one of those films where the action supplements the drama of the film and not the other way round, and so if you are more into full-on, wall-to-wall martial arts films, such as Police Story, Enter The Dragon, or any of Jean-Claude Van Damme's offerings which heavily focus on the action side of things, then this may not be for you. But Best of the Best is entertaining throughout; the film is also heavily focused on the characters collective and individual situations. Some have a personal motive for competing in the Olympics, but it's never too malicious, nor is there an intent of threat evoked through them. For others like Alex, he just wants to prove to his kid what a heroic fighter he truly is. The fight set pieces and scenes range from decent to pretty good for an American martial arts based film. 

Eric Roberts as Alex Grady is the sympathetic single dad and widower to a young son with an 80s' style mullet Lethal Weapon's Martin Riggs would be most proud of. He works as a mechanic at a car manufacturing company or something. Of the five fighters, his character arc stood out for me more: he is not an actual fighter, he's just a regular Joe who is trying to reconnect with the one thing he is good at in life, which is Taekwondo. A lot of people thought that Roberts was overacting when his character dislocated his shoulder - I thought his reaction was genuine and no doubt I'm sure it hurts like hell. 

Phillip Ree was equally as good as well: his pace is electrifying at times to watch & he does display great technique throughout. His character has to control his rage and find peace, as he is still haunted by the death of his brother. James Earl Jones was his usual self as the US team's coach and he was all right and the late Chris Penn, as much of a racist jerk his character was, even though he is a big guy himself, he doesn't let that hold him back. His fighting style (as well as someone like Sammo Hung) here shows that one does not have to be physically toned with huge biceps and rippling six-packs to be able to throw in some good kicks. If there is a weak link in the film, it has to be the female trainer: she may be knowledgeable in her field, but characterisation-wise, she was boring and had nothing going for her. 

As an '80s action flick, it can't get any more '80s as the terrible music and big hair, Best of the Best sits in-between Roadhouse with Patrick Swayze, which was released in the same year - yet more on the same lines as The Karate Kid: this is the grown-up version of that film, mixed with a bit of Rocky but with arguably more realistic and slightly better fight scenes and more comprehensive performances. Though I can see why a lot of people will not enjoy this film, partly because they are not into martial arts films, I am sometimes beside myself into why some think this film is excruciatingly terrible - because I disagree.  

Best of the Best is also the best film of the entire series, no doubt about that, and stands out from so many other martial arts films because it is less about martial arts and pulling off swanky moves, but more of a film where martial arts is a sport, a competition. Therefore, it does have that competitive aspect to it. Though it is categorised as more of a B-movie at first glance, if you give it a chance you will see to it that Best of The Best has some depth and range going for it as well. And yes there are stereotypes and cliches, but as predictable as this film gets, especially with the ending, which I think they milked it a little too much, it's the execution that decides for me whether it is of worth as a film of this particular genre, - and Best of The Best's execution is highly enjoyable. 

As I watched this film, I could definitely see to it that the producers & all the people involved in this effort really went out of their way to pay attention towards the art of taekwondo and the values, traditions, the styles it encapsulates and are so respectful towards it that it translates so well on film. They put a positive spin and emphasised that this film is not about winning and competing and fighting, but it's about being true to yourself as a person. I believe the message that it evokes is honest, sincere, even if it is a tad cheesy, but I still buy into it. I also thought that when the fighters square off against one another, one-to-one, I could sense that tension that really ups the film to the max. 




Final Verdict:

Though today, it is still not taken seriously by a lot of people, particularly fans of action films and martial arts movies as a definitive film of this genre, Best of the Best still stands up today and contrary to criticism, it does more right than it does wrong. A lot of people will see to it as a 'so- bad- it's- good' type of film and one people will laugh at - I for one think it is a fun action romp with some good drama and performances, not least by Eric Roberts, whose mere presence makes it watchable and entertaining for me. 

Best of the Best is an enjoyable and decent kick-ass film and I award this film an extra mark for the action scenes. Even though it is not one of the best and greatest martial arts action films ever produced, I still enjoyed it. It is, however, one of the better tournament-based martial arts flicks I have sat through. 

That, and it's still my favourite Best of the Best movie out of the series.



Overall:








Thursday, 22 December 2016

Retro Review: The Specialist (1994)

The Specialist
1994
Cast: Sylvester Stallone, Sharon Stone, James Woods, Eric Roberts 
Genre: Spy Thriller
Worldwide Box Office Gross: over $170 million 

Plot: A woman entices a bomb expert she's involved with into destroying the mafia who killed her family







'Not So Special'

As I was watching The Specialist I couldn't help but realise that this should've been an excellent action film; in fact, it functions as a thriller, but besides that and the massive explosions, this film doesn't have a lot to offer that the whole thing became a chore to sit through and watch. With its below par script, it really felt like a B-movie action film. It just didn't blow me away.

The plot itself is not memorable: Sly Stallone is Ray Quick, a former CIA explosives specialist and Sharon Stone is May Munro: a woman hell-bent on exacting revenge on the men who killed her parents when she was a little girl. In order to do that, May hires Ray (hey that rhymes) and the way this story is told is both through flashbacks and present day. However, this only leads to confusion and bewilderment, because the story itself is so badly written and conceived. 

The first 5 mins gave the impression that I would be in for quite a ride and that this film will be loaded with action, great stunts and battles and great acting galore, along with some depth. Yet as the more I got into it, no sooner was I inundated with scenes where characters talk to each other that I didn't care for, dull dialogue and the film being really flat and lifeless. Given the serious mood, it supposedly evokes, the film itself still comes off as being too dumb -yet melodramatic to be taken seriously. Even the scene where Ray is shirtless and does some martial arts poses, the way this is shot and presented, with the music playing in the background, is so hammy. 

The film's main draws whose initials are the same as each others, interestingly in Sylvester Stallone and Sharon Stone, both of them get to flaunt their assets with Stallone's biceps and Stone's breasts on view. But even that alone couldn't save this fairly poor film, that it's not surprising that The Specialist wasn't well received. Had it not been for her showing some skin, not a care in a world would have been given to this film. James Woods and Eric Roberts are in this one too: Roberts in his almost typecast villain role, & although his character is supposed to be 15 years older than Sharon Stone's May, he's the same age bracket as her, whereas Woods was okay and arguably gives the only noteworthy performance out of the main four.

There are no car chases, proper fights and battles, but what we do have in its place is the romance between Ray and May and there is a steamy-ish love scene when they tear each other's clothes off, which then transpires in the shower. But again with Stallone, though as big an action star he is, he lacks that charisma to be able to carry off as an actor that unlike Arnold Schwarzenegger he doesn't have a command-able screen presence to help draw in the crowds. As the bomb expert, Ray, I was never really convinced by that character, nor did I really care for him. This role was just not the right fit for him: this role required an actor, action movie star who could 'act' and deliver that presence this film needed. And Stallone just wasn't that guy for it.

Also, the tension and suspense are not really genuine; I never felt that with The Specialist. The execution just wasn't good enough and for an action thriller, it fails to live up to that billing as the thrills were underwhelming.

It is so dreary and yet so bland that it has really nothing going for it that sets itself apart from other action thrillers; many of which are vastly superior to this one. Add to that also a really cheesy, cornball feel it gives off, and what you have is a feeling of a film that tries to be cool and being marketed as a serious film, when its attempts are to the point, almost laughable and in vain. 






Final Verdict:

This is the action thriller equivalent to Basic Instinct: some action, some sex and not very convincing performances and forgettable characters. But I guess The Specialist will be worth your while if you are into over-the-top, hammy performances, at times not so good dialogue that is supplemented by a puerile script. And yet there is virtually little style, arguably no substance but plenty of explosions going off. 


Under doing it with the action and overdoing it with the dramatics, it's a silly, trite attempt of a film of this particular cross- genre that not even the pairing of Sly Stallone and Sharon Stone could ever redeem it.


Sylvester Stallone once said that Stop! Or My Mom Will Shoot is the worst film he has ever done - he needs to add this one to this list, besides a few other turkeys he has starred in.




Overall:


Christmas Retro Review: Opus n' Bill 'A Wish For Wings That Work' (1991) #RobinWilliams

Opus n' Bill In A Wish For Wings That Work
1991
Cast: Michael Bell, Tress Macneille, Frank Welker, Robin Williams, Dustin Hoffman
Genre: Animated TV Special

Plot: Wrestling with an unfulfilled wish to soar through the air like any other self-respecting bird, Opus the plucky penguin decides there's only one person who can make his aeronautic dream come true: Father Christmas. Bill the Cat coughs up a wild idea that just may bring a holiday miracle, but when ol' St Nick finds himself in hot water on December 24th, the fate of Christmas itself suddenly depends on the kind of heroism that only comes in a penguin-sized package! Will Opus come to the rescue and learn the value of being true to oneself? 







'Made- For- TV Rush Job That Ought To Have Been Longer'

A Wish For Wings That Work is one of the relatively lesser-known animated offerings amidst popular offerings such as the Peanuts Christmas special and How The Grinch Stole Christmas. Directed by Skip Jones and produced by Steven Spielberg's animation studio, Amblimation, it is based on the children's book of the same name and this Christmas TV special aired on U.S prime time television on CBS in December 1991, but has since then been relegated to the shelves with very little interest, this put paid to poor ratings and the reception has been less than satisfactory from creator, Berkeley Breathed. Amblimation, or be it Amblin Entertainment were chosen to adapt Wish For Wings That Work. It is a type of yuletide animated film that makes a lot more sense if you are an adult and the humour and tone are kind of on the lines of King of The Hill, The Simpsons and less so on Family Guy. As well as being a fan of the book itself. 

The title character Opus is a penguin who wishes to be able to fly and other notable characters from the book also made an appearance. It is when the appearance of Santa Claus occurs that although things don't quite turn out the way they do, Opus finally is able to fly. 

In view of it in its entirety, I can see why A Wish For Wings That Work didn't really take off and understand why Breathed had issues with it. Robin Williams voices a character going by the name of George the Kiwi, who wears a tie and he is very angry, irritated and shouts a lot. He is a lot different to Genie from Aladdin and Ferngully's Batty Koda. George appears in 2 short scenes, one of them where he loses the plot when he finds out his wife has run off with an albatross (!), and that's about it. He doesn't make an impact on the film. Other than his character shouting a lot, there is really not much going with him: he doesn't really have a personality to speak of. Dustin Hoffman is Miliquetoast the cross-dressing cockroach, and yet I could barely make out that it was Dustin voicing that character. It also dawned on me that in Hoffman as Miliquetoast that it brought back memories of Dustin, as a cross-dresser of some sorts, Michael as Dorothy in the film, Tootsie. Coincidence or what? 

Anyhow, for an animated special at the time, it looks pretty good, & it also has a black and white live action dream sequence. The script is however rushed, not least for a 30- min animated special and it is just too short. The story isn't very compelling or insightful, though it doesn't help that the material and the actual story by Breathed doesn't capture one's attention. I would have liked to have seen more, and a longer and interesting story and with that, more character development. The film packs everything in within 24 mins, yet the interesting moment doesn't happen until towards the end and it just goes by so quickly, one barely gets to know much about any of the characters. It's a shame really. I went into this short and shown interest only because Robin Williams and Dustin Hoffman lent their vocal talents and as much as I wanted to get something out of it, it just wasn't there.... because the film didn't do and offer more to make me do that. 

Opus is a character that needed a better voice actor who could convey and bring out his personality to life, and Michael Bell (who voiced Chuckie's dad in Rugrats and Duke in the G.I Joe cartoon so to speak) just didn't really make an impression on me as the main character. Perhaps after several viewings, this view will change and I'm wrong. Who knows?





Summary

Pros +

- Having Robin Williams and Dustin Hoffman on board
- Animation efforts are good for a TV special of 1991 


Cons -

- Is too short, should have been longer
- Story not very compelling or interesting
- Characters under-developed


Final Verdict:

A 24 -min short has to do everything in that time span to garner interest, yet A Wish For Wings That Work needs a bit more work going into it, and that includes stretching it to say an hour. Despite that the book isn't that well known or popular everywhere, it needed a compelling story, as well as characters you want to root for or favour. But with this made- for- TV short, it doesn't really have that. A Wish For Wings That Work comes across as a rush job more than anything else. 

& given it came out at around the same time Hook was released in theaters and cinemas, along with Dustin and Robin's vocal cameos, it makes A Wish For Wings That Work more concurrent. 

If you are fans of the book, you will get your money's worth here, but for the rest, when it comes to Robin Williams's other notable animated voice-over works, you are better off with Aladdin, Aladdin The King of Thieves and Ferngully: The Last Rainforest.



Overall:

Wednesday, 21 December 2016

8 Favourite Alternative Festive Movies

What do Elf, Jingle All The Way, It's A Wonderful Life, Home Alone, Miracle on 34th Street and White Christmas all have in common? They are all Christmas films that echo traditional holiday themes, is predominately set during Christmas AND that the main plot-line of the story is about or around Christmas itself. Whether that involves family jetting off on Christmas, only to leave their son home alone (Home Alone), trying to get hold of the latest and hottest toy (Jingle All The Way) or a guardian angel trying to talk his way to preventing a suicidal man from killing himself (It's A Wonderful Life), these films are considered by many people as real, traditonal and proper Christmas movies. 

But what about films with plots that essentially aren't actually about and have nothing to do with Christmas, but are set during Christmas Eve or day? Films that contain good verses evil and good triumphing in the end? Well I'll say to that is there is a place for them as well. 

The following has to meet the requirements: a) it must not be completely festive and Christmas-y in tone and b) that it can be easily enjoyed and appreciated over the holiday period by anyone and everyone. But for the R-rated efforts that is. 

I know some of these are not considered, or even accepted in the view of many people as 'traditional' Christmas films, because they promote violence, bloodshed, bad language and things unsuitable for family viewing. Christmas in general is a time for families coming together and so forth, but Christmas films for me is a completely different entity. 

Writing off Trading Places, Die Hard, Batman Returns and Hook as Christmas films just because they don't have a proper Santa, reindeer, elves etc, is harsh. I believe these films, which are set during or around Christmas are as much festive as Miracle on 34th Street, Elf, Jingle All The Way and other films that are predominately about Christmas. 

I think people's own perception of what Christmas movies and films should be like, a lot of it has to do with Christmas being a religious holiday, i.e. a Christian holiday. But there are many people like myself, who aren't Christians, yet who still enjoy the festive and holiday spirit and Christmas (or be it Xmas) itself and by spending it with our loved ones and appreciating what we have that has nothing to do with money, as well as religion. 

Therefore, the films I've selected here aren't just films that I personally enjoy watching over the festivities and any time in general, these are films which resonate with me when it comes to Christmas and the holidays and ones that aren't necessarily all about having Santa, reindeer and a Christmas tree shoved in our faces all of the time. 

So without further ado here are my 8 chosen so-called non- Christmas-y films that I'd watch over the festive period:



Die Hard (1988) - John McClane, officer of the NYPD tries to save his wife and several others that are taken hostage by a German terrorist, Hans Gruber during a Christmas party. Perhaps only bettered by the sequel, and that's by an inch, Die Hard is a rip-roaring, testosterone ride spearheaded by Bruce Willis and fuelled by the late Alan Rickman. 





Die Hard 2 - Die Harder (1990) - in this sequel, John McClane attempts to avert disaster at an airport and air plane with yet another set of terrorists on board to ruin the fun and festivities. Cue the famous ''Yipee-Kai-Yay Mother F***er'' line uttered by John as he sets the plane on fire by lighting a match on the runway. Action-wise, this is upped to the max and it still manages to retain the feeling and thrill of the first film. 




Hook (1991) - with Steven Spielberg at the director's helm, big-name cast of 1990s cinema (ala Robin Williams, Julia Roberts, Dustin Hoffman, Bob Hoskins), action and fun all-round, this big budget grown-up version of the Peter Pan tale is worth watching for the whole family





Batman Returns (1992) - Tim Burton's darker take on the Batman franchise sees the follow-up to the first film, which is also directed by Burton himself and the return of Michael Keaton as Bruce Wayne/Batman going up against Michelle Phieffer as Selena Kyle aka Catwoman and Danny Devito as a scary looking Penguin. A lot of people don't like this film because it is just too dark, but I'd still take this over the drivel that is Batman and Robin 





Trading Places (1983) - comedy starring Eddie Murphy and Dan Ackroyd, this is absolutely hilarious. Great comedy, one-liners and scenes, the performances are out of this world and where else will you see a big Black guy going ''Yeah!'' numerous times in one film? No where, that's what. John Landis hit it out of the park and as a result, it remains a comedy classic, through and through.  





Gremlins (1984) - Mogwai are like little toys that you discover as you open your present as a child during Christmas and you see this fluffy, cute little creature with a face named Gizmo that can make your heart melt. But feed them after midnight, get them wet and things will take an even grisly turn for the worst. Dark comedy with horror elements laced, despite the sight of Gizmo, this is still not a movie to recommend for children under 10 years of age. Other than that, it is a fun scare-fest.  





Lethal Weapon (1987) - buddy cop action thriller and one that established the onscreen duo of Roger Murtagh and Martin Riggs played by Danny Glover and Mel Gibson. Known for its humour and action scenes, this first film also takes place during the holiday period. 





The Long Kiss Goodnight (1996) - this action flick is so good that despite being savaged by critics, it has gone on to become a cult classic. The action is hectic and the film has some good moments. Set during Christmas time, a mother wakes up from Amnesia only to discover she is an assassin. With a script penned by Shane Knight who did Lethal Weapon, The Long Kiss Goodnight does echo its fun element and is worth recommending to fans of Lethal Weapon and action movies in general. 




Ghostbusters 2 (1989) - this film gets a lot of bashing, but this is one of a number of sequels that I enjoy. Breaking box office records, despite the negative reviews, it combines the feel-good vibes of the first film with holiday-based themes

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